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Aktuelle Ausgabe
Current IssueSebastian Mühl
Moderne im Archiv
Zur Kritik des utopischen Erbes in der GegenwartskunstSophie Publig
Shifting Perspectives
Beau Dick‘s Multi-Layered Strategy of Agency on documenta 14Thomas Helbig
Die Gegenwart des Historischen in Christian Petzolds TransitLotte Beckwé, Bernard Coppens and Isi Fiszman
To tell the truth
Artist tourism and storytelling in and about WaterlooSteyn Bergs
Institutional Transpositions
Two Music Exhibitions and the Politics of AttentionStefanie Heinzl
Verssuche
Eine typographische Lektüre des Coup de Dés von Stéphane Mallarmé
Category Archives: Ausgabe 14
Ausgabe #14
Editorial Nausikaä El-Mecky A Very Nuanced Scandal Gustav Klimt and the Mythologisation of the University Paintings Controversy Adrian Anagnost and Manol Gueorguiev Americans in Athens Learning from documenta 14 Eva Falge Bruce Nauman: Disappearing Acts im Schaulager Basel Kyveli Mavrokordopoulou … Continue reading
Posted in Ausgabe 14, Inhaltsverzeichnis
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Nika Kupyrova, still lifes with coffee, 2018
“It’s quite interesting how people always immediately think of the content rather than the object itself when someone says I am reading this book at the moment…I have been thinking about this relation for some time now”, answered artist Nika … Continue reading
Posted in Ausgabe 14, Bildstrecke
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Editorial
Printed on a striped Dior long-sleeve for the fashion label’s Spring 2018 collection is one of the great slogans of feminist critical theory, the title of an essay by Linda Nochlin from 1971: Why have there been no great women … Continue reading
Posted in Ausgabe 14, Editorial
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Americans in Athens
This article offers a critical account of socially-engaged works by United States artists at documenta in Athens, Greece, in 2017. Focusing on William Pope.L’s Whispering Campaign and Rick Lowe’s Victoria Square Project, this article examines the status of Greek history for works by international artists and the challenges of transplanting long-running artistic strategies to new locations. It argues that social practices face the same challenges of translation as artworks in other media, and that social practice is, ultimately, site specific. Continue reading
Posted in Ausgabe 14, Austellungsbesprechungen
Tagged Athens, documenta, migration, site specificity, social practice, social sculpture
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Bruce Nauman: Disappearing Acts im Schaulager Basel
Die Videoarbeit Mr. Rogers (2013) empfängt die BesucherInnen schon vor dem Eingang der Retrospektive Bruce Nauman: Disappearing Acts an der Fassade des Schaulagers. Aus der Sicht des 1941 geborenen Künstlers gedreht, zeigt das Video in Nahaufnahme wie Nauman in jeder … Continue reading
Posted in Ausgabe 14, Austellungsbesprechungen
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