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Aktuelle Ausgabe
Current IssueSebastian Mühl
Moderne im Archiv
Zur Kritik des utopischen Erbes in der GegenwartskunstSophie Publig
Shifting Perspectives
Beau Dick‘s Multi-Layered Strategy of Agency on documenta 14Thomas Helbig
Die Gegenwart des Historischen in Christian Petzolds TransitLotte Beckwé, Bernard Coppens and Isi Fiszman
To tell the truth
Artist tourism and storytelling in and about WaterlooSteyn Bergs
Institutional Transpositions
Two Music Exhibitions and the Politics of AttentionStefanie Heinzl
Verssuche
Eine typographische Lektüre des Coup de Dés von Stéphane Mallarmé
Category Archives: Ausgabe 12
European Unison
„My fingers have always been much braver than my voice“, says the young British artist Ruth Spencer Jolly when asked about her artistic approach. She therefore feels more comfortable to use them as a transmitter to channel her ideas and … Continue reading
Posted in Ausgabe 12, Bildstrecke
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Ausgabe #12
Editorial Ferial Nadja Karrasch „To become more porous. To produce more holes, cracks, and lighthouses.“ Die Gruppe Chto Delat, Jacques Rancière und die Möglichkeit des Dissens Thomas Helbig „Look at us but do not touch“ Ta(s)tsachen und (Be-)Rührungen im Kino … Continue reading
Posted in Ausgabe 12, Inhaltsverzeichnis
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Ausgabe #12
To provide a framework for the diverging agendas of our authors, to channel four voices, and to give shape to the expectations of our readers: Writing an editorial is meant to set the tone for the whole issue. Starting with … Continue reading
Posted in Ausgabe 12, Editorial
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Testing the Limits
As a key figure in the formation of queer studies, Jonathan D. Katz has a lot to say about building an academic career in the traditionally conservative field of art history. He has worked with and at some of the … Continue reading
Posted in Ausgabe 12, Interviews
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