{"id":951,"date":"2012-03-07T10:52:48","date_gmt":"2012-03-07T08:52:48","guid":{"rendered":"http:\/\/allover-magazin.com\/?p=951"},"modified":"2019-01-17T17:06:37","modified_gmt":"2019-01-17T15:06:37","slug":"ausgabe-2","status":"publish","type":"post","link":"https:\/\/allover-magazin.com\/?p=951","title":{"rendered":"Ausgabe #2"},"content":{"rendered":"<p style=\"text-align: left;\"><a style=\"color: black;\" href=\"http:\/\/allover-magazin.com\/?p=909\">Editorial<\/a><\/p>\n<p><span style=\"color: #808080; font-variant: small-caps;\">Tim Pickartz<\/span><br \/>\n<a style=\"color: black;\" href=\"http:\/\/allover-magazin.com\/?p=922\">\u201eI have no idea, what art is!\u201c<\/a><br \/>\n<span style=\"font-size: 0.9em;\">Die dOCUMENTA (13) zwischen Peripherie und Zentrum<\/span><\/p>\n<p><span style=\"color: #808080; font-variant: small-caps;\">Hannah Bruckm\u00fcller<\/span><br \/>\n<a style=\"color: black;\" href=\"http:\/\/allover-magazin.com\/?p=845\">Dispositive der H\u00fclle<\/a><br \/>\n<span style=\"font-size: 0.9em;\">Barbara Graf im E-Mail-Interview zum Verh\u00e4ltnis von Kunst, Mode und K\u00f6rper<\/span><\/p>\n<p><span style=\"color: #808080; font-variant: small-caps;\">Katharina Herrmann<\/span><br \/>\n<a style=\"color: black;\" href=\"http:\/\/allover-magazin.com\/?p=914\">Das Haus-Werk<\/a><br \/>\n<span style=\"font-size: 0.9em;\">\u00dcberlegungen zur Architektur des Schaulagers von Herzog &amp; de Meuron<\/span><\/p>\n<p><span style=\"color: #808080; font-variant: small-caps;\">Gregor Graf<\/span><br \/>\n<a style=\"color: black;\" href=\"http:\/\/allover-magazin.com\/wp-content\/uploads\/2012\/03\/All_Over_G_Graf.pdf\">Sammlung o.T.<\/a><br \/>\n<span style=\"font-size: 0.9em;\">Bildstrecke<\/span><\/p>\n<p><span style=\"color: #808080; font-variant: small-caps;\">J\u00fcrgen Buchinger<\/span><br \/>\n<a style=\"color: black;\" href=\"http:\/\/allover-magazin.com\/?p=855\">Wie man einen B\u00fcrgerkrieg verhindert<\/a><br \/>\n<span style=\"font-size: 0.9em;\">Walid Raads The Atlas Group Archive und der Versuch der Wiederherstellung einer nationalen Identit\u00e4t<\/span><\/p>\n<p><span style=\"color: #808080; font-variant: small-caps;\">Tessel M. Bauduin<\/span><br \/>\n<a style=\"color: black;\" href=\"http:\/\/allover-magazin.com\/?p=810\">Modern Art Revisited: A Fascination for the Occult<\/a><br \/>\n<span style=\"font-size: 0.9em;\">Review of the exhibition <em>L\u2019Europe des esprits ou la fascination de l\u2019occulte, 1750 \u2013 1950<\/em><\/span><\/p>\n<hr align=\"left\" size=\"1\" width=\"33%\" \/>\n<p>Die vollst\u00e4ndige Ausgabe von ALL-OVER #2 gibt es <a title=\"ALL-OVER #2\" href=\"http:\/\/allover-magazin.com\/wp-content\/uploads\/2012\/03\/All_Over_2-2.pdf\">hier<\/a> als PDF zum Download.<\/p>\n<p><strong>Quellennachweis<\/strong>: ALL-OVER, Nr. 2, M\u00e4rz, 2011. URL:\u00a0http:\/\/allover-magazin.com\/?p=951.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Editorial Tim Pickartz \u201eI have no idea, what art is!\u201c Die dOCUMENTA (13) zwischen Peripherie und Zentrum Hannah Bruckm\u00fcller Dispositive der H\u00fclle Barbara Graf im E-Mail-Interview zum Verh\u00e4ltnis von Kunst, Mode und K\u00f6rper Katharina Herrmann Das Haus-Werk \u00dcberlegungen zur Architektur &hellip; <a href=\"https:\/\/allover-magazin.com\/?p=951\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":12,"featured_media":1329,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"footnotes":""},"categories":[54,53],"tags":[],"class_list":["post-951","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ausgabe-2","category-inhaltsverzeichnis"],"_links":{"self":[{"href":"https:\/\/allover-magazin.com\/index.php?rest_route=\/wp\/v2\/posts\/951","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/allover-magazin.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/allover-magazin.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/allover-magazin.com\/index.php?rest_route=\/wp\/v2\/users\/12"}],"replies":[{"embeddable":true,"href":"https:\/\/allover-magazin.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=951"}],"version-history":[{"count":12,"href":"https:\/\/allover-magazin.com\/index.php?rest_route=\/wp\/v2\/posts\/951\/revisions"}],"predecessor-version":[{"id":1337,"href":"https:\/\/allover-magazin.com\/index.php?rest_route=\/wp\/v2\/posts\/951\/revisions\/1337"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/allover-magazin.com\/index.php?rest_route=\/wp\/v2\/media\/1329"}],"wp:attachment":[{"href":"https:\/\/allover-magazin.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=951"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/allover-magazin.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=951"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/allover-magazin.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=951"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}