{"id":948,"date":"2011-07-07T10:19:11","date_gmt":"2011-07-07T08:19:11","guid":{"rendered":"http:\/\/allover-magazin.com\/?p=948"},"modified":"2017-01-07T15:59:43","modified_gmt":"2017-01-07T13:59:43","slug":"ausgabe-1","status":"publish","type":"post","link":"https:\/\/allover-magazin.com\/?p=948","title":{"rendered":"Ausgabe #1"},"content":{"rendered":"

Editorial<\/a><\/p>\n

Anne-Grit Becker<\/span>
\nAfter Abstract Expressionism oder Clement Greenbergs Qualit\u00e4t\u00a0der \u201eOffenheit\u201c<\/a><\/p>\n

Dominique Laleg<\/span>
\n\u201eBildkritik\u201c \u2013 Zur Konvergenz von Anschauung und Reflexion<\/a>
\nEin Interview mit Gottfried Boehm<\/span><\/p>\n

Christine Brandner<\/span>
\nDas gelesene Bild<\/a>
\nCaravaggios Stellung in der Kunsttheorie des 17. Jahrhunderts<\/span><\/p>\n

Gabriel Hubmann<\/span>
\nTransformation und Umwertung im Werk Th\u00e9odore G\u00e9ricaults<\/a><\/p>\n

Stefan Egger<\/span>
\nVom Blick auf ein Volk, das noch fehlt<\/a>
\nMit Niklas Luhmann und Jacques Ranci\u00e8re zur Funktion der Kunst<\/span><\/p>\n

Astrid Exner<\/span>
\nWarum Adorno Massenmedien ablehnt und wieso er f\u00fcr Eco trotzdem\u00a0nicht zu den Apokalyptikern z\u00e4hlt<\/a><\/p>\n

Katrin Miglar<\/span>
\n\u201eFlorian, why do you still have a studio?\u201d<\/a>
\nEin Gespr\u00e4ch mit dem Wiener Konzeptk\u00fcnstler Florian Pumh\u00f6sl<\/span><\/p>\n

Viola R\u00fchse<\/span>
\nVom fotografischen Blue Chip zum Masterpiece der j\u00fcngeren Kunstgeschichte<\/a>
\nThomas Struths Retrospektive im D\u00fcsseldorfer K20<\/span><\/p>\n

\n
\n

Die vollst\u00e4ndige Ausgabe von ALL-OVER #01 gibt es hier <\/a>als PDF zum Download.<\/p>\n

Quellennachweis<\/strong>: ALL-OVER, Nr. 1, Juli, 2011. URL:\u00a0http:\/\/allover-magazin.com\/?page_id=210.<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Editorial Anne-Grit Becker After Abstract Expressionism oder Clement Greenbergs Qualit\u00e4t\u00a0der \u201eOffenheit\u201c Dominique Laleg \u201eBildkritik\u201c \u2013 Zur Konvergenz von Anschauung und Reflexion Ein Interview mit Gottfried Boehm Christine Brandner Das gelesene Bild Caravaggios Stellung in der Kunsttheorie des 17. Jahrhunderts Gabriel … Continue reading →<\/span><\/a><\/p>\n","protected":false},"author":12,"featured_media":1330,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"footnotes":""},"categories":[52,53],"tags":[],"class_list":["post-948","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ausgabe-1","category-inhaltsverzeichnis"],"_links":{"self":[{"href":"https:\/\/allover-magazin.com\/index.php?rest_route=\/wp\/v2\/posts\/948","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/allover-magazin.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/allover-magazin.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/allover-magazin.com\/index.php?rest_route=\/wp\/v2\/users\/12"}],"replies":[{"embeddable":true,"href":"https:\/\/allover-magazin.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=948"}],"version-history":[{"count":4,"href":"https:\/\/allover-magazin.com\/index.php?rest_route=\/wp\/v2\/posts\/948\/revisions"}],"predecessor-version":[{"id":1338,"href":"https:\/\/allover-magazin.com\/index.php?rest_route=\/wp\/v2\/posts\/948\/revisions\/1338"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/allover-magazin.com\/index.php?rest_route=\/wp\/v2\/media\/1330"}],"wp:attachment":[{"href":"https:\/\/allover-magazin.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=948"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/allover-magazin.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=948"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/allover-magazin.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=948"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}