{"id":3112,"date":"2017-11-18T20:22:48","date_gmt":"2017-11-18T18:22:48","guid":{"rendered":"http:\/\/allover-magazin.com\/?p=3112"},"modified":"2018-12-19T12:58:08","modified_gmt":"2018-12-19T10:58:08","slug":"editorial-11","status":"publish","type":"post","link":"https:\/\/allover-magazin.com\/?p=3112","title":{"rendered":"Ausgabe #13"},"content":{"rendered":"<p style=\"text-align: left;\"><a style=\"color: black;\" href=\"http:\/\/allover-magazin.com\/?p=3105\">Editorial<\/a><\/p>\n<p><span style=\"color: #808080; font-variant: small-caps;\">Susanne Koenig<\/span><br \/>\n<a style=\"color: black;\" href=\"http:\/\/allover-magazin.com\/?p=3015\">&#8220;Ceci n&#8217;est pas&#8230;&#8221;<\/a><br \/>\n<span style=\"font-size: 0.9em;\">Magrittes Bild-Text-Formel im Werk von Kosuth und Kippenberger<\/i><\/span><\/p>\n<p><span style=\"color: #808080; font-variant: small-caps;\">Lilien Feledy<\/span><br \/>\n<a style=\"color: black;\" href=\"http:\/\/allover-magazin.com\/?p=3011\">Tafelbild trotz allem<\/a><br \/>\n<span style=\"font-size: 0.9em;\">Robert Delaunays Relief Blanc (1936)<\/span><\/p>\n<p><span style=\"color: #808080; font-variant: small-caps;\">Lisa Stuckey<\/span><br \/>\n<a style=\"color: black;\" href=\"http:\/\/allover-magazin.com\/?p=3013\">Poeto-forensische Ozeanographie<\/a><br \/>\n<span style=\"font-size: 0.9em;\">\u00c4sthetik der Trauer in Left-to-Die Boat (Forensic Architecture) und Zong! <\/span><\/p>\n<\/p>\n<p><span style=\"color: #808080; font-variant: small-caps;\">Jana J. Haeckel<\/span><br \/>\n<a style=\"color: black;\" href=\"http:\/\/allover-magazin.com\/?p=3009\">The shadow from above<\/a><br \/>\n<span style=\"font-size: 0.9em;\">Vertikale Kontrolle, aeriale Kriegsf\u00fchrung und neue Ethiken des Sehens<\/span><\/p>\n<p><span style=\"color: #808080; font-variant: small-caps;\">Domen Ograjen\u0161ek<\/span><br \/>\n<a style=\"color: black;\" href=\"http:\/\/allover-magazin.com\/?p=3005\">Cut the Cords<\/a><br \/>\n<span style=\"font-size: 0.9em;\">Review: Next of Skin, Glass Atrium of Ljubljana Town Hall<\/span><\/p>\n<p><span style=\"color: #808080; font-variant: small-caps;\">Florentine Muhry<\/span><br \/>\n<a style=\"color: black;\" href=\"http:\/\/allover-magazin.com\/?p=3007\">Im \u00dcberfluss die Orientierung finden<\/a><br \/>\n<span style=\"font-size: 0.9em;\">Review: Laura Hinrichsmeyer: Kennen Sie diese Frau, G\u00e4rtnergasse, Wien<\/span><\/p>\n<p><span style=\"color: #808080; font-variant: small-caps;\">Thomas Ballhausen<\/span><br \/>\n<a style=\"color: black;\" href=\"http:\/\/allover-magazin.com\/?p=3003\">Rektangulierung<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Editorial Susanne Koenig &#8220;Ceci n&#8217;est pas&#8230;&#8221; Magrittes Bild-Text-Formel im Werk von Kosuth und Kippenberger Lilien Feledy Tafelbild trotz allem Robert Delaunays Relief Blanc (1936) Lisa Stuckey Poeto-forensische Ozeanographie \u00c4sthetik der Trauer in Left-to-Die Boat (Forensic Architecture) und Zong! Jana J. &hellip; <a href=\"https:\/\/allover-magazin.com\/?p=3112\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":12,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"footnotes":""},"categories":[136,53],"tags":[],"class_list":["post-3112","post","type-post","status-publish","format-standard","hentry","category-ausgabe-13","category-inhaltsverzeichnis"],"_links":{"self":[{"href":"https:\/\/allover-magazin.com\/index.php?rest_route=\/wp\/v2\/posts\/3112","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/allover-magazin.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/allover-magazin.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/allover-magazin.com\/index.php?rest_route=\/wp\/v2\/users\/12"}],"replies":[{"embeddable":true,"href":"https:\/\/allover-magazin.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3112"}],"version-history":[{"count":5,"href":"https:\/\/allover-magazin.com\/index.php?rest_route=\/wp\/v2\/posts\/3112\/revisions"}],"predecessor-version":[{"id":3358,"href":"https:\/\/allover-magazin.com\/index.php?rest_route=\/wp\/v2\/posts\/3112\/revisions\/3358"}],"wp:attachment":[{"href":"https:\/\/allover-magazin.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3112"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/allover-magazin.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3112"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/allover-magazin.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3112"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}