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Editorial<\/a><\/p>\n Ulrike Gerhardt<\/span> Markus Stickler<\/span> Katharina Brandl<\/span> David Misteli<\/span> Viktor Lundgaard<\/span> Hannah Bruckm\u00fcller<\/span> Angelika Seppi<\/span> Editorial Ulrike Gerhardt Localising Socialist Memory: Cinematographical Spaces as Virtual Mnemonic Topographies From Anri Sala\u2019s Intervista (Finding the Words) to Hito Steyerl\u2019s Factory of the Sun Markus Stickler The Inflicted Voice The Relationship between Sound and Power in Lawrence Abu … Continue reading
\nLocalising Socialist Memory: Cinematographical Spaces as Virtual Mnemonic Topographies<\/a>
\nFrom Anri Sala\u2019s Intervista (Finding the Words)<\/i> to Hito Steyerl\u2019s Factory of the Sun<\/i><\/span><\/p>\n
\nThe Inflicted Voice<\/a>
\nThe Relationship between Sound and Power in Lawrence Abu Hamdan\u2019s The Freedom Of Speech Itself<\/i><\/span><\/p>\n
\nArt historians may make aesthetic appreciations, I want to make critical judgements<\/a>
\nAn Interview with Peter Osborne<\/span><\/p>\n
\nPamela Rosenkranz\u2019 Topologie des synthetischen Subjekts<\/a><\/p>\n
\nAnniversary Exhibition all-over #10<\/a>
\nAnniversary Exhibition Press Release<\/a><\/p>\n
\nDie Schildkr\u00f6te im Apfelschrein<\/a>
\nRezension zu Katharina Hoins, Zeitungen. Medien als Material der Kunst<\/span><\/p>\n
\nGeheimnisse und Trivialit\u00e4ten der Oberfl\u00e4che<\/a>
\n\u201eSECRET SURFACE. WO SINN ENTSTEHT\u201c, KW Institute for Contemporary Art, Berlin<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"