{"id":2030,"date":"2015-04-21T12:23:49","date_gmt":"2015-04-21T10:23:49","guid":{"rendered":"http:\/\/allover-magazin.com\/?p=2030"},"modified":"2015-06-16T09:32:58","modified_gmt":"2015-06-16T07:32:58","slug":"conversation","status":"publish","type":"post","link":"https:\/\/allover-magazin.com\/?p=2030","title":{"rendered":"Conversation"},"content":{"rendered":"
Winter\r\nWe are delighted to welcome you this winter, learning and knowing everything on Tuesday evenings.\r\n\r\nFilm\r\nText\r\n\r\nText \r\nText\r\n\r\nText\r\n\r\n\r\nText\r\n\r\n3 Films\r\n\r\nText\r\n\r\nThe goal of the tracing and enabling of thought of non-representational though relational movement will be complemented with collectively developed practices.\r\n\r\nText\r\n\r\nText\r\n\r\neach member as a group:\r\neveryone will contribute \r\nand help the artist\r\n\r\nText\r\n\r\n\r\nText\r\nText\r\n\r\n\r\nText\r\nText\r\nText\r\n\r\nText\r\n\r\nText\r\n\r\n\r\n\tArtist\r\n\r\n\r\nText\r\nText\r\n\r\nText\r\n\r\nText\r\n\r\n\r\n\r\nText\r\n\r\nText\r\n\r\nTrue Lipstick Traces\t\t\r\n\r\nFilm\r\n\r\nThis week's Review: The End of Ambivalence\r\n\r\nThe Artist As\r\nThe Cube and The\r\nCube\r\nAnd The Cube\r\n\r\na long-distance exhibition evolving from one text to another that relates to itself and a long together \r\nwhich will start promptly\r\n\r\nExcerpts\r\n\t\tA Secret\r\nExcept\r\n\r\nDisorder kann werden \u2013 a collective experiment (nothing more)\r\n\r\nFilm: The Sun\r\n\r\nFilm:\r\n\r\nbetween Inventory and Excerpts from \t\t\r\n\t\t\t\t\t\t\t(The Past)\r\nTEXT\r\n\r\nThis week\u2019s Review:\r\nThe essay from the book edited by Arne and Warren deals with Dean who investigates the pathological conception of the potential for disensual collectivity and differential activity. They locked themselves up in a visual universe.\r\n\r\nPractical landing into the cockpit\r\nTopic: A Polemic (conceptual)\r\n\r\nJohannesburg Mumbai New York City Sao Paulo Paris and London become the focus for resistance. \r\nCapitalization\r\nIn the wake of globalization, on current conditions nowadays, we are agreeing, \r\n\r\nMAKING WORLDS!\r\n\r\n\u2013\u2013\u2013 \t\t\t\r\n\t\t\tA Voice\r\n\u2013\u2013\u2013\t\t\t\t\t\r\n\r\nMAKING WORDS!\r\n\r\n\u2013\u2013\u2013\t\t\tA Voice\r\n\r\n\u2013\u2013\u2013\t\t\t\t\tA Voice\r\n\r\nOut\r\n\r\n\r\nTreppenhausdurchwandernd bis in die Schornsteine kriechend, vers\u00f6hnt und verbr\u00fcdert, \r\nhat Nic weltweit den Ruf, Meister zu sein.\r\n\r\nText\r\n\r\nA Film \u2013 \r\n\r\nAmbiguity presents images which are commonly used to see suitably \u2013 said \/ written?\r\nsomething \/ \r\nalways somewhere else \r\n\r\nA Film \u2013 The Sun\r\n\r\nYou thought you knew about passion? \r\nThe Pervert's Guide acclaimed a passionate approach to ourselves. \r\n\r\nin deutscher Sprache\r\n\r\nEine Besch\u00e4ftigung mit dem Thema Schenken\r\nSchenken Schenken Schenken\r\nSchenken Schenken als Geschenk\r\nunterschiedliche Aspekte des Schenkens\r\nschenken\r\ngeben\r\nschenken\r\n\r\nText \r\non Generosity and Exchange in Art\r\n\r\nThe value of common-based contributions\r\nCommon-based collaboration\r\nCommon-based commons\r\n(massive Kunstwerken stehen zur Diskussion)\r\nCommons?\r\n\r\nA text spirituality highlighting critical components from the work\r\n\r\nText 1\r\nLink\r\nText 2\r\nLink\r\nText\r\n\r\nConstruct where readings form a new form of art \r\n\r\nLanguage Standards Discussion Exhibition \r\n\r\nText\r\nText\r\n\r\nExcerpts\r\n\r\nThree texts on an important type of daily living: space and society \r\nin a historical perspective (brand new!)\r\nsocial reality, control and system, fake identities engaging local networks and regulating our ways of life\r\n\r\n\r\nTHINKING IN PUBLIC, MORE OF IT!\r\n\r\n\r\nA Film \u2013 Mysterious at sea \r\n\r\nOne Year (Very) Special \r\n\r\nText\r\nText\r\n\r\nArtists and Texts\r\nAnd a Film \u2013 The Seaside and The Wind\r\n\r\nText\r\nText\r\nText\r\n\r\nAnd a text: Surrealist Night\r\nL'\u00e9toile du ch\u00e2teau du d\u00e9\r\nAfternoon Somnambulists\r\nDreams are silent (remember)\r\n\r\nText: The Invisible\r\n\r\n\r\nExcerpts\r\n\/\/\r\nGrammatik\r\n\r\nExcept\r\n\r\nText  \tExposures\r\n\r\nText \t\tExposures\r\n\r\nText and film\tExponents\r\n\r\nEin Text mit Filmen\r\n\r\nby\r\nby\r\nby\r\nby\r\nby\r\nby\r\n\r\nand by\r\n\r\nAlmost every film made the camera onto celluloid (cinema).\r\n\r\nText\r\nText\r\n\r\nCREATIVE TIME\r\n\r\nThe Story of Tim,\r\na film about Stephen\r\n\r\nA text by Peter\r\n\r\nA text by Johnny \r\n\r\nA text and a film by\r\nKirby and Amy about Jacques\r\n\r\n\r\nAvantgarde von h\u00f6chster Aktualit\u00e4t mit geringer zeitlicher Verz\u00f6gerung \r\nheute vielf\u00e4ltig und h\u00f6chst innovativ mit den m\u00f6glichen Formen einer \"Text-Renaissance\"\r\n\r\nan anthology that takes place outside of the public sphere with site-specific concepts (you can find them listed below)\r\n\r\n\u2013\u2013\r\n\u2013\u2013\r\n\r\nStylewriting uses different forms of text to explain the aesthetics of \u2013 in German!\r\n\r\nText \t\t\t\tTheory?\r\nText\r\n\r\nImagine Being Here: in Canada,\r\nSouthern Alberta\r\nText \u2013 The Snow\r\n\r\nPlease read in advance the first two volumes.\r\n\r\n\r\nText\r\n\r\n\u2013\u2013\r\n\r\nFilm: The Nightmare\r\n\r\nSlow Days from above:\r\nSlow, Days, Harbor, Situations, Events, Impressions, and Experiences.\r\n\r\n\r\nAttracted to another interesting approach of exhibitions \r\nthe show both shows auf einmalige Weise eine innere Reise \u2013 auch diese sind traurige Momente und \u2013 nothing more\r\n\r\nSpecial!\r\n\r\nin a cube farm\r\nwe celebrate\r\n\r\nLes Vacances,\r\nLe Rire\r\n\r\nMagnificent outlines\r\n\r\nTEXT\r\n\r\nThe objective of curatorial concerns for a theory of Exhibitionist Art is published following the two Exhibitions: Three from Five, 2011\r\n\r\nText\r\n\t\t\tArt\tacts\r\n\t\t\t   Arts\r\n\tact\r\n\r\n\r\nArt entails no knowledge,\r\n\u2013 the book at once in relation to ideas today \u2013\r\nbut many find this quite pleasant.\r\n\r\n\r\nLines\r\n\r\nthe reader to be read includes text excerpts that inspired the writer\r\n\r\nLines\r\n\r\ntextual information change the way we think over content\r\n\r\nLines\r\n\r\nIn response to the texts we will conclude with questions based on how reading could work differently, becoming curating of the in-between\r\n\r\nText\r\n\r\nkuratierte angelegte Themen:\r\nanstossen betonen stellen\r\neinladen diskutieren\r\n\r\nArt acts\r\n\r\nIntermission with homemade Gl\u00fchwein\r\n\r\nReport\r\n\r\nNo Corruption\r\nNo Corruption\r\n\t\tNo Corruption\r\n\r\nWARNING: back cover heavily explicit!\r\n\r\nToday in extreme poverty\r\nlaptop-bags and camera-bags brought together and basket weavers\r\n\r\nContemporary goals mediate between the fields. \r\nThe result is a brilliant understanding of Time.\r\n\r\nText\r\n\t\tTheory\r\nLink?\r\n\r\nThe Artist and \r\nthinking professionals\r\n\r\nagain\r\nagain\t\tThe Artist as Researcher\r\nagain\t\tArtistic Research, a gain \r\n\r\n\r\nChristmas,\r\nthe last episodes\r\nand one of the world's most radical border in international time. Don\u2019t forget!\r\n\r\nIt's very simple.\r\nkeep in mind your suggestion(s)\r\nAND\r\ndon't hesitate\r\n\r\nthinking being inextricably linked with the perspective.\r\n\r\n\u2013\u2013\r\n\r\n__\r\n\r\nText: A Man Asleep\r\n\r\na strange clarity of insight, a luminous unwritten sublime and sometimes terrifying novel\r\ntransparent monuments having a wide presence, a surreal exposure of time, another\r\n\r\nText \r\n\r\n      Writing \tDiaries\r\n\t\t\t\tHandwriting\r\n\t\tTransformations\r\n\r\nText\r\n\t\t\t\tResearch\r\n\r\nText\r\n\t\tParasitical Inhabitations\r\n\r\nexcerpts from\r\nruins and non-places of the work\r\n\r\n\t\tEXCERPTS\r\n\r\nExcept this is the revealing account of an eccentric shop-keeper as he attempts to capture a British stencil artist with wild results.\r\n\r\nFake Vehicle\r\nBody\t\tNetwork\r\n\r\nEverything is going to be \u2013\r\n\r\nAnother time again\r\nThe little sister of the artist, Edith, tells the story of the yearly ritual of the year.\r\n\r\nTime\r\n\r\nAlphabets of Language run until August. The works can be seen in texts dealing with the show. The exhibition is the letter. Afterwards: winter\u2019s sleep. Don\u2019t forget.\r\n\r\nText\r\nText\r\n\r\n\tAre You Working Too Much?\r\n\r\nText\r\n\r\nthe exact\t\t\t\t\tlink\r\n\r\n\t\t\t\t transition\r\n\r\nbetween\r\n\r\nNothing more\r\n\r\nDuring this session\r\n\t\t  writers\t\t\tcomment on\r\n\t\t\t\ttheir message \t\tin\r\nhumorous ways.\r\n\r\nWho are these buffoons\r\n\t\tWho are the heretics\r\n\t\t\t\t\t\t\twho\r\ngives a hoot\r\n\t\t\twit and spoofs\r\n\r\n\t\t\t\t\tping pong\r\n\t\t\t\t\t\tping pong\r\nping pong\r\n\r\nThe texts\t\twill be read\t about\r\n\t\t\t\t\taloud\r\n\r\n\r\nBREAK\r\n\r\n\r\nWinter around winter, a calendar with winter requirements\r\nUsually, but not exclusively: during last Friday a volunteer exhibited to the group many skills, including winter planning\r\n\r\noccasional archive \u2013 remember\r\ninfinite loops\r\n\r\nTIME\r\n\r\nNo narrative drama but an intense meditative experience\r\nmandalas, space out, love-making, both ends of time, a largely infinite cycle related to the cunnilingus, atomic structure, and dynamic equilibrium, models, orgasms\u2026\r\n(excerpts) \r\na steady vibrational hum \u2013 mantra, mandala, and yantra having intense potency \r\n(excerpts) \r\n\r\ntransversal relations between rhizome as a map and intersection between two theories:\r\nCapital and Affects\r\nSemiotext(e) and Percepts \r\nAgents and Concepts\r\n\r\nIntermission with homemade Gl\u00fchwein\r\n\r\nArt acts\r\n\t\tTheory?\r\n\r\nNext Friday Julia will teach the voice in order to use it\r\nPlease bring your bring your own \t\t\t\tumbrella\r\nwith you.\r\n\r\nAgain:\r\ntransversal relations form a rhizome as a map and \u2013 build on the intersection between two major discourses in different time periods operating a paradigm shift\r\nSchizo-Culture\r\nChaosophy\r\n094 transverse\t\t\r\n\t13\t\t1\/3\t\t\t\t\t100\r\n100 Thoughts \t\t\t611-617\r\n\r\n\r\nText\r\n\r\n\tthings \t\tsituations\r\n\r\nwords\t\t\t\tthinking\r\n\r\n\r\nMany reasons\r\nOne reason\r\nAnother reason \u2013 no cause found until now\r\n\r\nSPRACHE ist kostenlos und erfordert keine Anmeldung.\r\n\r\nGl\u00e4sern werden zu in Form von Zerstreuung, Konzentration und Verzerrung erz\u00e4hlten\r\nSehgeschichten\r\n\r\nUn miracle!\r\n\r\nText again\r\nReal-life contents on Relational Divide: conventional\u2013digital? What else?\r\nGerechtigkeit \u2013 Selbstdarstellung \u2013 Verantwortung: die drei grossen Werte einer Gesellschaft.\r\n\r\nMerci. Danke. Grazie. Thanks.\r\n\r\n__\r\n\r\nPirouetten\r\n\r\nminiature acrobats creating delicate performances\r\n\r\nIngrid & Sigrid in Iceland\r\nIngrid taught Sigrid to best describe this unique Viking. Both Ingrid and Sigrid love to share the color of your choice. The language doesn't matter.\r\n\r\nText\r\n\r\nbouquet\r\nbouquet\r\nrounded\r\na bunch of flowers\r\nyour own bouquet caring for seasonal mixes. Don\u2019t forget.\r\n\r\nSHARP\r\n\r\nNo More Winter\r\nA Drag Persona\r\nThe Girl in Town\r\nOur Heart is Welcome\r\n\r\nA Solution, \r\na doable solution, looking for \u2013\r\nEverything\r\nEmancipation and Education of The Will in relation to aesthetics, politics, and education.\r\n\r\nThe book offers solutions and proposes ways to do it. Zum Gl\u00fcck.\r\n\r\nDifferent kinds of diagrams and techniques make relations tangible and at the same time evade in immaterial ways.\r\nA solution \u2013 again\r\nWhat goes into and what should not? How do you \u2013\r\nWhat exactly happens inside?\r\nAnd how many should you ideally find?\r\n\r\n(kick-off calls subdue us with the illusion of choice and influence social issues beforehand)\r\n\r\nText\r\nText\r\n\r\n\r\n\r\nText\r\n\r\na silent reflection on light (My Island)\r\norange flaming and cocktail tasting\r\n\r\n     mix\r\n\ttricks\r\n\r\n\r\n! ! ! ! ! ! ! ! ! ! ! !\t\t\t\t\t\t\t! ! ! ! ! ! ! ! ! ! ! ! !\r\n\r\n\t\t\t\t\t\t\t\t\t\tYOU\r\nLIKE TO BE PUT ON\r\n\r\n\r\nplease bring (a) concrete idea (ideas) \r\n\t\t\r\n\r\nA TEXT\r\n\r\nA FILM\r\n\r\nplease keep in mind that everyone hesitates\r\n\r\nthe incommensurability of the values in general enables us to realize a different future and a politicized recreation of today's art\r\nart acts\r\nZum Gl\u00fcck\r\na closed door\r\nan open door\r\n\r\ntwo doors \r\nexplore, and practice with doors: the cultural doors, different doors, feeling with doors,\r\nenclosed\r\n\r\n(New)\r\nMonotypes\r\nWatercolor solvents brushes and other tools \u2013 easy to learn, no previous skills required!\r\nWhat else? \r\nAn Institution whose conditions resonate on the critical potential of Art\r\n\r\nMore information to follow.\r\n\r\nWhat else? \r\nWhatever it can be come. \u2013 More information to follow.\r\n\r\nWhat else?\r\n\r\nWE WILL MEET\r\n\t\t\tDON'T BE LATE!\r\n\r\nWhat else?\r\n<\/pre>\n
\n
Acknowledgments<\/strong><\/p>\n
The text sources of Conversation originate from a previous work that I realized in 2014 for a solo exhibition at Corner College in Zurich. The show has been conceived on the basis of conversations with Stefan Wagner, one of the organizers of the art space, and took place on the website of Corner College which contains, beside the usual information about the concept and the location of the art space, an online archive of all events that took place there as well as biographies of all the people involved. During those two and a half weeks of the exhibition the website was displayed in an unusual way: I asked the programmer to alter its code in order to \u201cerase\u201d its whole content, every word and image appeared white per default \u2013 thereby disappearing on the white background of the page \u2013 and reappeared black only when the cursor moved over it. I subsequently reworked each of the 800 entries of the website by selecting single words I wanted to stay visible at all time, utilizing a new command cancelling the effect of the reprogramming. The selection of the words that stayed visible was based on the specificities of the texts they were parts of, as well as on my own interest in the way different relations exemplify different kinds of discourse.<\/p>\n
For the publication in all-over, I composed Conversation<\/em> out of the text fragments I had selected from the section each one teach one<\/em> which archives 153 events that were organized by the artist Philip Matesic and held at Corner College between July, 2009 and April, 2014 under this title.<\/p>\n","protected":false},"excerpt":{"rendered":"
Winter We are delighted to welcome you this winter, learning and knowing everything on Tuesday evenings. Film Text Text Text Text Text 3 Films Text The goal of the tracing and enabling of thought of non-representational though relational movement will … Continue reading →<\/span><\/a><\/p>\n","protected":false},"author":51,"featured_media":2088,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"footnotes":""},"categories":[104,105],"tags":[],"class_list":["post-2030","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ausgabe-8","category-kunstlerische-textbeitrage"],"_links":{"self":[{"href":"https:\/\/allover-magazin.com\/index.php?rest_route=\/wp\/v2\/posts\/2030","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/allover-magazin.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/allover-magazin.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/allover-magazin.com\/index.php?rest_route=\/wp\/v2\/users\/51"}],"replies":[{"embeddable":true,"href":"https:\/\/allover-magazin.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2030"}],"version-history":[{"count":19,"href":"https:\/\/allover-magazin.com\/index.php?rest_route=\/wp\/v2\/posts\/2030\/revisions"}],"predecessor-version":[{"id":2155,"href":"https:\/\/allover-magazin.com\/index.php?rest_route=\/wp\/v2\/posts\/2030\/revisions\/2155"}],"wp:attachment":[{"href":"https:\/\/allover-magazin.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2030"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/allover-magazin.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2030"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/allover-magazin.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2030"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}