{"id":1125,"date":"2012-10-20T13:55:56","date_gmt":"2012-10-20T11:55:56","guid":{"rendered":"http:\/\/allover-magazin.com\/?p=1125"},"modified":"2014-02-28T19:57:15","modified_gmt":"2014-02-28T17:57:15","slug":"ausgabe-3","status":"publish","type":"post","link":"https:\/\/allover-magazin.com\/?p=1125","title":{"rendered":"Ausgabe #3"},"content":{"rendered":"<p style=\"text-align: left;\"><a style=\"color: black;\" href=\"http:\/\/allover-magazin.com\/?p=1039\">Editorial<\/a><\/p>\n<p><span style=\"color: #808080; font-variant: small-caps;\">Ce Christina Jian<\/span><br \/>\n<a style=\"color: black;\" href=\"http:\/\/allover-magazin.com\/?p=1065\">Erkenntnis als Zweifel<\/a><br \/>\n<span style=\"font-size: 0.9em;\"> Zum Konzept des technischen Bildes bei Gerhard Richter<\/span><\/p>\n<p><span style=\"color: #808080; font-variant: small-caps;\">Sandra Beate Reimann<\/span><br \/>\n<a style=\"color: black;\" href=\"http:\/\/allover-magazin.com\/?p=1068\">Raum im Fluss<\/a><br \/>\n<span style=\"font-size: 0.9em;\"><em>Dirk&#8217;s Pod<\/em> von Richard Serra<\/span><\/p>\n<p><span style=\"color: #808080; font-variant: small-caps;\">Dominique Laleg<\/span><br \/>\n<a style=\"color: black;\" href=\"http:\/\/allover-magazin.com\/?p=1072\">Das Potenzial des \u00c4sthetischen<\/a><br \/>\n<span style=\"font-size: 0.9em;\">Drei Fragen an Juliane Rebentisch zum Verh\u00e4ltnis von \u00c4sthetik und Politik<\/span><\/p>\n<p><span style=\"color: #808080; font-variant: small-caps;\">Maria M\u00e4nnig<\/span><br \/>\n<a style=\"color: black;\" href=\"http:\/\/allover-magazin.com\/?p=1078\">Art &#8211; the virtualized Value<\/a><\/p>\n<p><span style=\"color: #808080; font-variant: small-caps;\">Walter Derungs<\/span><br \/>\n<a style=\"color: black;\" href=\"http:\/\/allover-magazin.com\/?p=1088\">Die Zentrale<\/a><\/p>\n<p><span style=\"color: #808080; font-variant: small-caps;\">Burkhard Meltzer<\/span><br \/>\n<a style=\"color: black;\" href=\"http:\/\/allover-magazin.com\/?p=1081\">Der Vermittlungsschalter<\/a><br \/>\n<span style=\"font-size: 0.9em;\">Ausgestelltes Design zwischen Aktivismus und Zweideutigkeit<\/span><\/p>\n<p><span style=\"color: #808080; font-variant: small-caps;\">Katrin Kulik<\/span><br \/>\n<a style=\"color: black;\" href=\"http:\/\/allover-magazin.com\/?p=1084\">Die Macht der Dokumentation<\/a><br \/>\n<span style=\"font-size: 0.9em;\">Reflexion \u00fcber das Wahrnehmungsdispositiv Ausstellungsfotografie<\/span><\/p>\n<hr align=\"left\" size=\"1\" width=\"33%\" \/>\n<p>Die vollst\u00e4ndige Ausgabe von ALL-OVER #3 gibt es <a title=\"ALL-OVER #3\" href=\"http:\/\/allover-magazin.com\/wp-content\/uploads\/2012\/10\/All_Over_03.pdf\">hier<\/a> als PDF zum Download.<\/p>\n<p><strong>Quellennachweis<\/strong>: ALL-OVER, Nr. 3, Herbst\/Winter 2012. URL: http:\/\/allover-magazin.com\/?p=1125.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Editorial Ce Christina Jian Erkenntnis als Zweifel Zum Konzept des technischen Bildes bei Gerhard Richter Sandra Beate Reimann Raum im Fluss Dirk&#8217;s Pod von Richard Serra Dominique Laleg Das Potenzial des \u00c4sthetischen Drei Fragen an Juliane Rebentisch zum Verh\u00e4ltnis von &hellip; <a href=\"https:\/\/allover-magazin.com\/?p=1125\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":12,"featured_media":1328,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"footnotes":""},"categories":[49,53],"tags":[],"class_list":["post-1125","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ausgabe-3","category-inhaltsverzeichnis"],"_links":{"self":[{"href":"https:\/\/allover-magazin.com\/index.php?rest_route=\/wp\/v2\/posts\/1125","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/allover-magazin.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/allover-magazin.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/allover-magazin.com\/index.php?rest_route=\/wp\/v2\/users\/12"}],"replies":[{"embeddable":true,"href":"https:\/\/allover-magazin.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1125"}],"version-history":[{"count":11,"href":"https:\/\/allover-magazin.com\/index.php?rest_route=\/wp\/v2\/posts\/1125\/revisions"}],"predecessor-version":[{"id":1690,"href":"https:\/\/allover-magazin.com\/index.php?rest_route=\/wp\/v2\/posts\/1125\/revisions\/1690"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/allover-magazin.com\/index.php?rest_route=\/wp\/v2\/media\/1328"}],"wp:attachment":[{"href":"https:\/\/allover-magazin.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1125"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/allover-magazin.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1125"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/allover-magazin.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1125"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}